B IS FOR BRIDGE OVER TROUBLED WATER

This is a continuation of my quest to create a piece of art inspired by a song beginning with every letter of the alphabet. You can read about it HERE.

I always do a “deep dive” into the song, learning as much as I can about the story behind it, even learning to play it on the piano – and this is a great song to play because it is written in the gospel tradition.

Written in 1970 by Paul Simon and it is one of the Simon and Garfunkel’s biggest hits, even becoming their signature song. It won five Grammy’s in 1971, including Song of the Year and Record of the Year. Simon insisted Garfunkel sing this song (a decision he later came to regret).

 

BRIDGE OVER TROUBLED WATER, 20×20 Mixed media ©2020VickieMartin

What was the inspiration for the song? When Simon heard the southern gospel group Swan Silvertones 1959 song “Oh Mary Don’t You Weep”.  The line “I’ll be your bridge over deep water / if you trust in My name”  jumped out at him. In a rare interview with Dick Cavet in 1970, he said “I think that must have subconsciously influenced me, and I started to go to gospel (chord) changes”

The line “like a bridge over troubled water” is a metaphor for someone living through a tough time, and “I will lay me down” refers to the sacrifices made to find a way through them.

Bridge Over Troubled Water, ©2008 ink, charcoal, crayon on paper, 15×18

In the third verse, the line “Sail on silver girl / Sail on by / Your time has come to shine” shifts the rhythm and the mood changes. Simon later revealed it was a reference to his then-wife. But many interpret it being focused on someone who needs help during a difficult time.

It is important to remember the times in which it was written. In 1969 America was in turmoil. Viet Nam, Nixon, and the country was still dealing with the loss of Martin Luther King Jr. and Bobby Kennedy. This was a song that was needed for the times. In fact, It continued to be an uplifting anthem in bad times. In 2005, Simon and Garfunkel reunited to sing it to help raise money for those affected by Katrina.

In the past 50+ years, everyone from Willie Nelson, Elvis Presley, The Jackson Five, Peggy Lee, Johnny Cash and more, with Aretha Franklin winning a Grammy for her cover in 1972.

 

Bridge Over Troubled Water, 6×6 collage on 10×10 board @2020 Vickie Martin
     
https://www.youtube.com/watch?v=q-XCmb6t6Zw

When you’re weary, feeling small,
When tears are in your eyes
I will dry them all
I’m on your side
Oh when times get rough
And friends just can’t be found

Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

When you’re down and out
When you’re on the street
When evening falls so hard
I will comfort you
I’ll take your part
Oh when darkness comes
And pain is all around

Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

Sail on, silver girl
Sail on by
Your time has come to shine
All your dreams are on their way
See how they shine
Oh if you need a friend
I’m sailing right behind

Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind

Check out the story behind AIN’T NO MOUNTAIN HIGH ENOUGH here.

A IS FOR AIN’T NO MOUNTAIN HIGH ENOUGH

For the last several years I have been creating art that is inspired by a particular song. Why? To bring awareness to dementia, because you NEVER EVER lose you musical memory. This was inspired by my mother’s dementia and noticing the effect music had on dementia patients. The reason this is happens (without getting all scientific) is because the place where music is stored in our brains is the last place affected by dementia. Music  is often referred to as “THE LAST MEMORY”.

 Several months ago I declared a quest to create work that is inspired by a song beginning with every letter of the alphabet, documenting the journey as I go. (You can read it  HERE. )

The first song for my quest is AIN’T NO MOUNTAIN HIGH ENOUGH.  To get inspiration for the painting not only do I listen to several versions of the song and learn to play it on the piano, I also research the story behind the song.

I always “assumed” this song was about finding a great love. Did you? If you did, we were both WRONG!

The song was written by Nicolas Ashford and Valerie Simpson in 1966 hoping it would be their ticket to join Mo-Town.

In 1962, Nick Ashford moved to New York City after graduating high school to become a dancer. When this didn’t work out, he ended up homeless. Meanwhile, while still in high school, Valerie Simpson was singing in a choir in Harlem. One day Nick showed up there, basically looking for a hot meal. And, you know what happened next – right? Valerie persuaded him to join their group.  They eventually began collaborating, and in Valerie’s own words, “Nick was the perfect mouthpiece for my melodies, and my piano inspired his lyrics. It was an easy relationship.”  

Nick had already written the lyrics for this song. He said the words came to him while walking the city, worried about whether he could stay in NYC. He noticed the buildings along the park looked like mountains, and these lyrics came to him:

“Ain’t no mountain high enough/Ain’t no valley low enough/Ain’t no river wide enough/to keep me from getting to you.” So, the “you” was not a love interest, it was SUCCESS.

As you can see, I put texture on each piece and while listening to several versions of the song, I handwrite the lyrics directly on the canvas. This is my way of really meditating on the piece.

The next thing I do is to get the piano music and start playing.

To create the mountains, used canvas I reclaimed from old paintings, which gave it the kind of texture usually found in nature.

To add more texture, I played around a little with fire (I guess I was in that kind of mood that particular day).

I love to experiment and try new things, but I always keep the spirit of the song in the forefront. While I cover up the lyrics, I always have them, along with the sheet music, close by.

Here is the resulting image. If you look closely, you can see the images of city buildings in the mist on the right.

AIN’T NO MOUNTAIN HIGH ENOUGH, ©vickiemartin2021 24×18 mixed media on canvas

Here are more interesting facts about the song:

  • Dusty Springfield wanted to record it, but Ashford and Simpson felt it was their ticket to Motown (it was, it was recorded on the Tamla label, which was a division of Mo-Town).
  • Marvin Gaye and Tammy Terrell recorded it in 1967 becoming a Top 20 hit on the Billboard charts (#2 on the R&B Charts).
  • The Supremes recorded it as a duet with The Temptations.
  • Ashford and Simpson produced Diana Ross’s first solo album, of which this song was the 2nd song released from.
  • All of the music and background vocals were recorded before Diana recorded her part. She was able to hear it while recording it.

ONE FACT ABOUT DEMENTIA: Dementia is the sixth leading cause of death in the United States for older people. Some estimates rank as high as third in older people, behind only heart disease and cancer. AND THERE IS NO CURE.

What’s up next in my quest? Since I’ll be traveling to a song that begins with a “B”, I’m going to a BRIDGE OVER TROUBLED WATER.

 

 

  •  
  •  

 

HOW A WALK AND A PODCAST MOVED ME TO GET PERSONAL WITH MY ART

I have been exploring music and memory with my art for a couple of years with a series titled “CAN YOU SEE WHAT I HEAR?”.  This was initially inspired by my mother’s dementia, but the fact I come from a musical family had a part in this decision.  I know, you hear “my family is musical” a lot. But in my case, it is true. My grandfather was a piano tuner and had a music store. My father rebuilt pianos and my aunt taught piano for over 70 years (she probably taught half of North Georgia how to play the piano!). In fact, I began learning at age five.

Every piece I create is inspired by a specific song and I begin with writing the lyrics of the song on the first layer. I not only study the lyrics but I meditate on them, searching for visual cues within the lyrics.  I also learn to play each song on the piano and really study the structure of the music. But the choice of the songs was a little random. Yes, I took requests. Some songs were chosen simply because I already knew how to play it on the piano. Below you can see some of the songs chosen and the art it inspired – with a line given for why the song was chosen.

 

Inspired by the song Bridge Over Troubled Water

Inspired by the song Bridge Over Troubled Water, which should be the theme song for all caregivers out there.

Moon River

Inspired by Moon River, “this is my favorite song in the world” I was told. Plus – it is a fun song to play.

Inspired by Up UP and Aware

Inspired by Up Up and Away “It is such a positive song!”

While I enjoyed creating these pieces, there was something missing – ME!

When I say I started walking, I mean I started WALKING! Since March 29th, I have walked every day but one (migraine headache). Since the beginning of April, I have achieved my daily goal of 11,000 steps every day but two (again the migraine, and the first day after the time change – I miscalculated nightfall!). If I had walked a straight line going west from Atlanta, I would be looking Denver in my rear-view mirror.

The podcast that fueled these walks is DESERT ISLAND DISCS adapted from a radio show that has aired on the BBC since 1942. Each guest is seemingly whisked to a desert island taking only eight songs, one book (they are given the Bible and the Complete Works of Shakespeare), and one luxury item. The people interviewed range from Margaret Thatcher to Keith Richards to Tom Hanks to public servants in England. The reasons the songs are chosen are very thought provoking and often revealing.   Usually it is not because of they are their favorite songs, but because of a memory associated with the song. For instance, Keith Richards picked  Vivaldi’s Four Seasons. Why? He said Vivaldi was the only composer Mozart respected (who I believe he referred to as the North Star), and if he was going to a desert island, he wanted four seasons. Paul McCartney and Yoko Ono picked the same John Lennon song (Beautiful Boy). What is the most requested song? Beethoven’s Ninth – Ode to Joy. What is the most popular song by The Beatles? Something. 

So, it got me to thinking, what songs would I take? This was not an easy decision. In fact, I  have thought about this for months. So I finally sat down and made a list and I am ready to commit to my eight songs. So, for the next 8 weeks I will share one of my “picks” with you, with the history and background of the song, and the process used in creating the art the song inspired. And I am going to “gulp” start recording my version of the songs on the piano.

As for the other choices, my luxury item would be a piano, with a bench filled with music. Actually, the piano is a very popular choice, but so is a machete (you have to build shelter), and an unlimited supply of wine. In fact, one person chose a bathtub with three faucets, one for cold water, one for hot, and one for wine.  The book I would choose? I think I would pick the largest art history book I could find!

A quick note in closing. It has been scientifically proven one NEVER loses their music memory. I have seen people in adult day care that are totally incommunicable sit up straight and belt out all the words of a song they recognize.

What songs would you choose?  and why?

 

 

 

 

 

 

 

 

 

 

 

 

 

JULY 2020 READING

As we all navigate through another month of “stay at home”, my reading is finally getting back to normal. For the past several months, I started more books than I finished. But, in July, I managed to finish 8 books – which is a normal amount for me.

THE ART DEALERS by Laura de Coppet – This book has been on my bookshelf for years, so I finally took it down and read it. Interesting, but a little dated because it was written in 1984. Thirty-two contemporary art dealers talk about their careers, trends in modern art, and their opinions on art history and evaluation. 

NEVER HAVE I EVER by Joshilyn Jackson – I picked this up from a Little Free Library while on a walk and it is written by a fellow Decatur, Ga. resident (who says she moved here because of the Decatur Book Festival, considered the largest independent book festival in the states). This is a psychological thriller, based on the game “never have I ever” that a new resident into the community introduces to the book club. There are some twists, many that involve blackmail. I put this in the “good beach read” category.

ONE PLUS ONE by JoJo Moyes – I have read several books by JoJo Moyes, and they are always fun reads. This is the story of Jess, a cleaner/barmaid struggling to make ends meet and IT Guru Ed, who is involved in a financial scandal. They embark on a road journey to Scotland with Jess’s daughter Tanzie (a math genius), Nicky (a goth,  kind of a stepson that has been bullied) and Norman, the drooling smelly dog. While it is a fun read, it seemed vaguely familiar. When I logged it into Goodreads – I had read it back in 2014!

LUNCH AT THE PICCADILLY by Clyde Edgerton  – Edgerton has a gift for capturing Southern dialogue, and this book gives us the challenges of aging with sympathy, sensitivity, all done with a sense of humor.

ANTI-RACIST BABY by Ibram X. Kendi – I have been very impressed with interviews with Ibram Kendi – so I ordered this  book prior to publication to send to my one year old grand niece – and of course I had to take a peak! I love it!

THE ENGINEER’S WIFE by Tracey Enerson Wood – Historical fiction based on the building of the Brooklyn Bridge and the role Emily Roebling played in it. When her husband, the chief engineer of the project is injured on the job, she puts her role in the women’s suffrage movement on hold and takes on the project under his guidance. It is interesting, but the introduction of P.T. Barnum as a possible love interest is not based on fact at all. Their paths may have crossed, they were in New York at the same time and P.T. Barnum historically took his circus across the bridge (with all the elephants) to prove the strength of the structure. But, it did succeed in sparking my curiosity to look up these characters.

THE WEIGHT OF A PIANO by Chris Cander  – This is the first of two books I read in July where a musical instrument is actually a character.  I was captured by the first paragraph in the book referring to the spruce trees in Romania that would be made into a Bluthner, commonly referred to as one of the big “four” of the piano makers, (the others are Bechstein, Bosendorfer and Steinway). My grandfather sold pianos, and there is a Bosendorfer in my family and I have owned a Steinway. It is the story off Katya, who leaves her beloved Bluthner in Germany, and a woman that inherits one in 2012. It’s a good concept, but it turns into a road trip of a photographer moving the piano around to photograph it around a National Park. Even with an unbelievable story line of endlessly moving a piano around a national park, I couldn’t put it down!

GONE, A GIRL, A VIOLIN AND A LIFE UNSTRUNG by Min Kym – In this memoir, you learn what it is like to be a child prodigy – she wins her first international prize at age 11. Her violin is a personal choice for many reasons, and when it is stolen from her in a London cafe, her world crashes. She felt as though she had lost her soulmate, and with it her sense of who she was. Overnight she became unable to play or function and is silent. Even though the violin is recovered 3 years later, it no longer belongs to her – it belongs to the insurance company and she can’t afford it. I loved this book. I loved the way she described the music and the instrument. I loved the music history she threw in. For instance, I’m aware of Clara Schumann – who was herself a child prodigy – and I knew she was expected to take care of the entire household even while traveling and performing. I didn’t know Brahm’s was in love with her, they travelled together with her children, and he felt he had to choose between love and music – and obviously – he chose his music. 

I’m going to finish some of the books I began in April and May and research more books where a character is actually a musical  instrument. 

What are you reading during this “Stay at Home”? Are your reading habits changing? I’d like to know!

 

ENDING THE YEAR WITH A BANG – DECEMBER’S READING

I did end the year with a bang – topping 100+ books! Before you get all gushy and start congratulating me, I have decided to read LESS next year. Yes, read LESS. I am going to make an effort to not read prior to 8PM during the week, and only 30 minutes in the morning. I have decided to read a few classics that have eluded me over the years. However, here are the dozen books I read in December 2016.

THE HUNGRY TIDE by Amitav Ghosh – Currently I am in a reading challenge to read a book from each continent, and this was my choice for Asia. Set in the Sandarbans, which is located on the eastern coast of India and Bangladesh (see map below). I’d never heard of this part of the world, and I loved learning about it. Piya Roy, a  American marine biologist of Indian descent, and is in search of a rare species of river dolphin. She enlists the aid of an illiterate and proud local fisherman and a translator she met on the train. Reading this book is one of the reasons I love reading challenges, I wouldn’t have found this book otherwise and learned of a new world.

BIRD IN HAND by Christina Baker Kline – On the way home one rainy night, Alison hits a car that ran a stop sign and a death occurs. Everything changes in the blink of an eye. This is a story about four people, two marriages that are changing. It is a page turner.

RECKLESS by Susan Kiernan-Lewis (Mia Kazmaroff Mysteries) – I picked this up as it looked like a quick read set in my hometown of Atlanta. Mia has a paranormal gift and teams up with an ex-detective to solve a mystery. It was a quick read, but pretty much forgettable. Also she had some of the geography wrong for Atlanta – irritating, especially from someone that used to give historical tours of the city.

BASQUIAT – A QUICK KILLING IN ART by Phoebe Hoban – very compelling biography about the artist Basquiat, who died of a drug overdose at the age of 27. This follows his meteoric rise in the 80’s New York art scene and his ultimate burnout and drug consumption. It covers the graffiti art movement, the crazy world of art auction houses, his relationships with multiple women (including Madonna) and of course, his relationship with mentor Warhol. I liked it so much I continued my journey by watching the movie Basquiat, which is worth seeing if for none other than David Bowie’s portrayal of Andy Warhol (or should I say his channeling of Warhol).

ARTIFICE by Eric Bickernicks – this was a free download on Kindle, and since it was about art, why not? it was enjoyable, but a little silly and largely forgettable.

THINK AND GROW RICH by Napoleon Hill  – This was originally published during the depression, and by the time of the authors death in 1970, it had sold more than 20 million copies! It is the  product of two decades of research begun when Andrew Carnegie gave Hill he task of organizing a Philosophy of Personal Achievement. Armed with only an introductory letter from Carnegie, he interviewed over five hundred successful people including Henry Ford, Thomas Edison and others. This is the result of the research – and the 13 steps to success. It is a book to keep and refer back to.

A LESSON IN SECRETS – A MAISIE DOBBS NOVEL by Jacqueline Winspear – Maisie is working undercover in a university in Cambridge founded by the author of a pacifist children’s book which may have caused a mutiny during WWI. Of course, the author of this book is murdered almost as soon as Maisie arrives. This is a fun series, but I don’t feel this is the strongest book.

THE STORIED LIFE OF A.J. Fikry by Gabrielle Zevin – I found this on my bookshelf as I was doing my end of the year purge. I don’t know how I overlooked this little gem, after all it is about books and a bookstore! Set in the bookstore Island Books, A.J. is mourning the loss of his wife when his priceless copy of a Poe book has been stolen and a baby is left in the store. Quirky, but also uplifting, it is filled with interesting characters, critiques of classical books, and it is a wonderful book for those that love books and bookstores!

THE LIGHT BETWEEN OCEANS by M.L. Stedman – In reading around the world, this was my choice for Australia. This is an incredibly sad tale (soon to be a major picture by Steven Spielberg) about Tom Sherbourne returning to Australia after WWI where he takes the job as a lighthouse keeper on an island about half a day’s journey from the coast. He eventually brings a wife, Isabel, After a few years of miscarriages, they find a boat washed up on shore with a dead man and a crying baby. They raise the baby as their own, but learn several years later, someone has been looking for the man and the baby. Amoral dilemma for sure!

ANNE FRANK: THE DIARY OF A YOUNG GIRL by Anne Frank – need I say more? I should have reread it before now, and everybdy that read it in school should reread it as an adult. The introduction is written by Eleanor Roosevelt.

THAT OLD CAPE MAGIC by Richard Russo – This is the story of Jack and Joy, who have been married for 35 years. Through this time, they have both tolerated their in-laws and have now separated. Reunited at their only child’s wedding. Jack has the ashes of both his parents in the trunk, with his mother talking endlessly to him. Part of the book is quite humorous, but it is not the strongest book by the great Richard Russo.

THE PRINCE OF FIRE (Gabriel Allon Novel) by Daniel Silva – i love the premise of these books, world famous art restorer by day, Jewish assassin by night (kind of). This is the 4th book in the series, and like the others it is fast paced, action packed. It covers a lot of ground, going from Rome, to Venice, Cairo, London, Paris and Jerusalem. Along the way Silva gives a history lesson from 1910 to the present, on the struggles between the Palestinians and the Israelis. Great exciting way to end the year!

I have been giving thought to what I will read going into 2017 – more on that later. Any suggestions? I will continue reading around the world, and continue my journey with authors from each state in the United States.

 

 

THE POWER OF NO

21 STEPS TO CREATIVITY #11

Collage ©VickieMartin

Collage ©VickieMartin

Why is it so hard to say no for most of us?  Are we too nice? Are we afraid of being judged? Are we going to miss an opportunity? Burn bridges?

It is always important to keep your long term goal in mind. The most important thing you do is to keep  your long term goal front and center! Every time you say YES to something that doesn’t contribute to your long term goal,you are saying NO to something you could be doing during that time to accomplish your goal.

Listen to you gut. If it doesn’t seem right, say NO. “NO” is a complete sentence.

There are ways to say no. Maybe you are just too busy right now. Say you will think about it and get back – buy some time if you need to think about it.  Just don’t over explain, be concise and move on.

So, when I say “NO” to projects and events that don’t work for my long term goals, what could I be doing?

cooking

I could be cooking up a healthy meal (in one of my cute vintage aprons)

Painting, I can always be painting

Journaling or just getting my thoughts down on paper

Spending some time at the piano or with my ukulele

I could be clearing my mind and meditating

I could go outside

Just do what feels right for you. Learn to say no.

What would you be doing if you said NO more often?

 

PLAY LIKE A PRO!

21 STEPS TO YOUR MOST CREATIVE SELF

This is the 8th installment in my series 21 Steps To Your Most Creative Self.

Today most of us are focused on work and commitments. In our culture, playing is often thought as wasting time – it is often looked down on as there are no real goals (except to have fun!) Play is a time to forget about work and all those pesky commitments. It can be a time to be social without structure and be creative at the same time. When we play, there is no goal in mind, except to have fun.

What is play?  It has been defined as taking part in an in activity for enjoyment and recreation instead of for a practical purpose.

There are many benefits to play. It:

Relieves stress – play often triggers endorphins which gives one the sense of well-being.

Stimulates your mind – people tend to learn better than they are having fun and when they are relaxed.

Improves learning skills – playing chess or putting together puzzles are things that challenge the brain and will improve memory.

Keeps you young

Teaches children social skills and cooperation with others – something adults can learn too.

“We don’t stop playing because we grow old, we grow old because we stop playing.” George Bernard Shaw

I believe a little bit of play will go a long way – but what can we do for play?

Most of us don’t have access to a trampoline bridge.

Most of us don’t work in offices that have slides.

But, most of us have access to a playground. When was the last time you played on a swing?

Other things to do:

Learn a card trick

Have a game night with friends

Go bowling

Play miniature golf

Play with a dog – if you don’t have one, many rescue groups need dog walkers. While you are at it – have a conversation with the dog.  

Find a child to play with – play a “pretend” game – remember those? Or play Follow the Leader or Hide and Seek (I play Hide and Seek with my dogs!)

Put on music and dance

Put together a puzzle

I may never finish this - but I haven't given up!

I may never finish this – but I haven’t given up!

       Make a collage

p5 copy

       Get a coloring book

Coloring was easier as a child I discovered. I need to loosen up!

Coloring was easier as a child I discovered. I need to loosen up!

Research shows play helps prevent Alzheimer’s disease. Playing a musical instrument or playing checkers is helpful.

Who doesn’t play? Mass murderers – studies have shown. 

Playing helps us relax, it takes us away from the “real” world. Through playing, we can be anything, an explorer, a rule, a time traveler – the list goes on. It helps remove the limits to what we believe is possible.

What do you do for play?  I’d like to know!

Closing thoughts:

“Creative people are curious, flexible, persistent and independent with a tremendous amount of adventure and a love of play.” Henri Matisse

“It is a happy talent to know how to play.” Ralph Waldo Emerson

“The true object of all human life is play.” G.K. Chesterton

“The creation of something new is not accomplished by intellect but by the play instinct.” Carl Jung

“Almost all creativity involves purposeful play.” Abraham Maslow

“Some day you will be old enough to start reading fairy tales again.” C.S. Lewis (which I recently did rereading Alice in Wonderland and Aesop’s Fables)

 

 

 

IT WAS NEVER TOO LATE FOR EVA IBBOTSON

Eva_Ibbotson

WOMEN IN ART

Eva Ibbotson (born Maria Charlotte Michelle Wiesner) published her first English language novel at age 50.  Known for her children’s books, she was an Austrian-born British novelist. This is my 9th installment in the Women in Art Series.

Born in Vienna in 1925, her father was a doctor who is credited with pioneering human fertility treatment (and probably used his own sperm). Her mother was a novelist and playwright who worked with Bertolt Brecht. When her parents separated in 1928, her father became a professor in Edinburgh while her mother hightailed it to Berlin. For Eva, it was a

“very cosmopolitan, sophisticated and quite interesting, but also very unhappy childhood, always on some train and wishing to have a home.”

Her mother’s writing career stopped when Hitler banned her work – and relocated her and Eva to London in 1934, avoiding the worst of the Nazi’s.

Eva initially thought she’d like to be a physiologist like her father, but she couldn’t commit to spending a life doing experiments on animals. While studying at Cambridge, she met her future husband, Alan Ibbotson, a university professor and entomologist.  They had three sons and a daughter and that was the end of her scientific career. She was briefly a teacher and began her writing career in the 1960’s.

Her first English language book was The Great Ghost Rescue published in 1975. Her books are known to be imaginative and often humorous. She wrote about magical places,  even though she disliked the supernatural –  she wanted to dispel that fear in her readers.  She said she disliked “financial greed and a lust for power”, which is another theme in her books. 

Interestingly, one of her books, The Secret of Platform 13 has been compared to the Harry Potter books – both platforms are located at King’s Cross Station!  But, as far as plagarism or copying goes, Ibbotson stated of J.K. Rowling

“I would like to shake her by the hand. I think we all borrow from each others as writers.”

To properly research this article, I chose to read the book One Dog and his Boy.  Interestingly, it was her last completed book, finally a good dog book where all the animals live (but not the author, sadly). Unknown

This is the story of a boy and a dog that were meant to be together.  His materialistic wealthy parents feel they give him everything he could possibly want or need.  But, what he really wants is a dog. So, they “rent” a dog for the weekend and fool the boy. When the dog is returned to the rental agency, the boy, of course, rescues him.  This turns into an odyssey involving another girl and four additional dogs and a trip to the circus.

“Ibbotson’s final book is a story with the heart of Lassie and the satirical bite of Roald Dahl…as funny as it is satifying”  Booklist

Would I read more of her books? You betcha!  Here are some quotes from her books:

“slowly, Anna put up a hand to his muzzle and began to scratch that spot behind the ear where large dogs keep their souls.” A Countess Below the Stairs

“Loneliness has taught Harris that there was always someone who understood – it was just so often that they were dead, or in a book” A Company of Swans

“I want to live like music sounds.” The Morning Gift

“You cannot stop the birds of sorrow from flying over your head, but you can stop them nesting in your hair.” A Countess Below the Stairs

“…adventures are good for people even when they are very young. Adventures can get into a person’s blood even if he doesn’t remember having them.” The Secret of Platform 13

I think the quotes say is all! I am thankful my research on Women in Art introduced me to Eva Ibbotson!

 

 

 

HELEN FRANKENTHALER AND A CRITIC, A PAINTER AND JOHN TRAVOLTA

3. helen frankenthaler 1957 images 17. helen frankenthaler

“The only rule is that there are no rules. Anything is possible…It’s all about risks, deliberate risks.”

This is how Helen Frankenthaler refers to the art she practiced for over 60 years, making history before she was 30 years old. This is my sixth installment of my Weekly Women in Art series.

How did she make history so young? By taking the technique accredited to Jackson Pollock  of pouring paint directly onto the canvas,  she adapted it to her own needs. Pollack used enamel paint that sat on top of the canvas. Frankenthaler used oil that was thinned with turpentine which soaked into the canvas, seemingly staining the canvas.

“It was all there. I wanted to live in this land. I had to live there, and master the language.”

That is what she said after seeing the Pollock show at the Betty Parsons Gallery in 1950 or 1951.

mountains-and-sea-1962.jpg!Blog

Mountains and Sea

 

She painted this before her 24th birthday. Measuring 9 feet wide by 7 feet high Mountains and Sea directly affected both Kenneth Nolan and Morris Louis. Louis later said it was a

“Bridge betwen Pollack and what was possible.”

Helen was grew up on the New York’s Upper East Side. Her father was a New York State Supreme Judge, her mother a German emigre’.  It is safe to say she had a privileged background!

After graduating from Bennington College, she inherited money from her father (who had died in 1940) and was able to get a New York apartment AND have a separate studio! And, she began painting full-time.

When she organized an exhibition in 1950 at Bennington College she met Clement Greenberg, considered one of the foremost art critics of the day, and began a five year relationship with him. Through him she met Pollock, David Smith, Willem and Elaine de Kooning, Franz Kline, Lee Krasner and other members of the New York artworld at the time.

When she separated from Greenberg, she met Robert Motherwell and married him in 1958. He  was also from a well-to-do family, and they were suddenly the “golden couple” of the artworld. They spent months honeymooning in Spain and France.

images-2 tumblr_lwvmgxbsTL1qbv4q2o1_1280

When they returned, they left the downtown art scene and moved uptown and began entertaining. British sculptor Anthony Caro recalled a dinner party on his first trip to New York which was attended by over 100 people. He sat between David Smith and Hedy Lamarr.

Helen loved entertaining, and she loved to dance. She attended a function at the White House in 1985 honoring the Prince and Princess of Wales. After dancing with a partner that twirled her around, she said:

“I’ve waited a lifetime for a dance like this. He was Great!!!”

When she returned to New York, she showed her assistant his card – “John Travolta”.

The awards she received are numerous. among them:

  • First Prize for Painting, Premiere Biennale de Paris, 1959
  • National Medal of Arts 2001
  • served on the National Council for the Arts of the National Endowment for the Arts
  • New York City Mayor’s Award of Honor for Arts and Culture 1986
  • Distinguished Artist Award for Lifetime Achievement, College Art Association 1994

Honorary degrees received include:

  • Smith College 1973
  • Radcliffe College 1978
  • Amherst College 1979
  • New York Univerisity 1979
  • Harvard University 1980
  • Philadelphia College of Art 1980
  • Yale University 1981
  • Brandeis University 1982

Her exhibitions are just as impressive

  • two New York retrospectives before the end of the 1960s, at the Jewish Museum and at the Whitney Museum
  • Guggenheim Museum 1985 – works on paper retrospective
  • Museum of Modern Art, 1989

“Being the person I was and am, exposed to the things I have been exposed to, I could only make my painting with the methods – and with the wrist i have.”

“I have always been concerned with painting that simultaneously insists on a flat surface and then denies it.”

“My pictures are full of climates, abstract climates. They’re not nature per se, but a feeling.”

“Art has a will of its own. It has nothing to do with the taste of the moment or what’s expected of you. That’s a formula for dead art, or fashionable art.”

“There are three subjects I don’t like discussing. My former marriage, women artists, and what I think of my contemporaries.”

Helen Frankenthaler – December 12, 1928 – December 27, 2011

adirondacks-1992.jpg!xlMedium

Adirondacks 1992

painted-on-21st-street-1951.jpg!xlMedium

Painted on 21st Street 1951

 

frankenthaler2

9. helen frankenthalerimages-1

 

Q IS FOR QUILL PEN, THE A TO Z’S OF ART

ink and pen

I didn’t know quill pens had such an interesting history!

First used around 600 AD in Spain, they were the main writing instrument until the mid 19th when the introduction of metal introduced the metal nib. 

They are made from the stiff-spined flight feathers on the leading edge of a bird’s wing. And for you bird lovers, they were feathers that were discarded by birds during their annual moult. There were only two or three feathers found per bird.

Goose feathers were most commonly used, with more expensive swan feathers used for larger lettering. However,  only in the USA feathers from the crow, eagle, owl, hawk and turkey were used.

To construct a pen, the shaft of the feather was cleaned, carved and then sharpened, with a slit cut at the point making a nib. 

On a true quill pen, the barbs are completely stripped away.  Later, some decorative barbs were left on the top. In short, the fancy plumed quill pen is an invention of Hollywood. (A barb is defined as one of the parallel filaments projecting from the main shaft of a feather.)

Thomas Jefferson actually bred geese to make sure he always had a supply of quill pens handy.

AND, to this day, 20 goose-quill pens are placed at the four counsel tables each day in the U.S. Supreme Court while in session: and it is said “most lawyers appear before the Court only once, and gladly take the quills home as souvenirs”.  This has been done since the beginnings of the court. Historic documents written by a quill pen include the Magna Carta, The Declaration of Independence and the Constitution of the United States.

Now – my FAVORITE fact, pens for right handed writers come from the left wing, while pens for left handed writers come from the right!  (I am left handed!)

As noted below, artists used the quill pen also.  However, Rembrandt favored the reed pen.

Wan to make your own quill pen?  Click here for directions!  If you make a quill pen or use one, leave me a comment, let me know.

 

View of the Alcantara bridge (Toledo) Nobility Section of the National Historical Archive, Toledo © Ministerio de Cultura